Cloud Control will release Gold Canary, one of the standout tracks from their debut album Bliss Release, as a single on 15 August. The following month the band will embark on a 14-date headline tour, culminating in a show at London’s Scala on 12th October, the full dates are:
27 Sept Exeter, Cavern (seetickets.com / 0870 2643333)
28 Sept Brighton, Audio (seetickets.com / 01273 709709)
29 Sept Oxford, Jericho Tavern (alltickets.co.uk / 0845 4134444)
30 Sept Cambridge, Haymakers (greenmind.co.uk)
01 Oct Sheffield, Bungalow & Bears Club Show Free Entry
03 Oct Manchester, Deaf Institute (ticketline.co.uk / thedeafinstitute.co.uk / 0161 832 1111)
04 Oct Leeds, Brudenell (seetickets.com / 0113 2444600)
05 Oct Edinburgh, Electric Circus (gigsinscotland.com / 08444 999990)
06 Oct Glasgow, Oran Mor (gigsinscotland.com / 08444 999990)
07 Oct Dublin, Academy (ticketmaster.ie)
09 Oct Liverpool, Kazimier (ticketweb.co.uk / 08444 772000)
10 Oct Birmingham, The Rainbow (seetickets.com / 0871 2300010)
11 Oct Cardiff, Buffalo Bar (seetickets.com / buffalocardiff.com / 0871 2200260)
12 Oct London, Scala (livenation.co.uk)

Tickets go on sale tomorrow at 12pm via www.CloudControlBand.com; general sale follows at 9am Friday
Before then, the band will be spending the summer playing some of Europe’s premier festivals, including Latitude, Hop Farm, Field Day and a just-confirmed slot at the Reading and Leeds festivals.
Cloud Control last night launched The Aviary, a weekly residency at the Social, London for June-July, with performances from like-minded souls such as Cymbals, Big Deal, Alpines and Dry the River. The Aviary will runs for three more weeks, and each night will be programmed in collaboration with some of the hottest promoters of the moment. More details are available at www.cloudcontrolband.com.
The band released Bliss Release in the UK in May to critical acclaim, including 4* reviews in Q, The Times and The Guardian. Concocted between the rocky outcrop of the Blue Mountains and the hard place that is Sydney’s former Red Light District, Bliss Release is harmonic pop as eccentric as David Byrne and as modishly psychedelic as early Jefferson Airplane, swathed in layers of analogue reverb and with an outlook of an epic vastness. The album recently won the Australian Music Prize, the antipodean equivalent of the Mercury Prize; it has been bolstered for its UK release, with reworked and new tracks.